Avengers: Age of Ultron (2015) Concept Art Posters
Huh. Looks like they finally ran out of slight variants on
black skintight catsuit”.
Aaand that’s all six. All I got done.
In case you were wondering, I finished this last year, and just found it in my Sta.sh. Or more accurately, I saw it for the fiftieth time, then remembered that I hadn’t actually submitted it.
i vaguely remember going to tuscany when i was in 7th grade but all i really can recall was that it was warm and so beautiful and the food was the best !!
anyway i haven’t really gotten the time to sit down and reply to all your lovely comments everyone!! to be honest i haven’t had the chance to draw digitally since my last piece i put up on here (aside from a quick commission) ;; the good thing is though i’ve been doing a ton of traditional work and my sketchbook is filling up fast !!!! school is kicking my butt yet again! /// thank you for your patience!
i drew this as a speedpainted stress reliever because i wanted something happy and cute to cheer me up !! heheh. n vn but i kind of liked how it turned out so i thought i’d share with you guys/// <33
good luck to everyone who has started school already, and let’s all work hard!
ty again loves!
Also, according to the comments on the TVTropes page, Harry turns into a Mary Sue, and ends up basically leading the Avengers despite not actually joining. He already had the standard Gary Stu tendency to get people to like and trust him, despite actively pushing people away. There is literally no chemistry between him and Tony other than the fact that they both like fixing things and cars, but Tony trusts him enough to give him a key to Stark Tower, Jarvis trusts him enough not to tell Tony he uses magic (which Harry didn’t even have to ask him to do), and Thor trusts him because he’s protecting Tony, even though what he was protecting him from was the hammer Thor threw at him in the forest seconds earlier.
I can’t wait to see how he wins over Fury and Black Widow. Oh, wait, I can, because I’m not reading any more.
Gil Elvgren - “Life of the Party” 1952 - A fascinating illustration by Elvgren and a little unusual for his style. Almost certain this is the only costumed illustration Elvgren ever produced with this much covering on the model’s body. The colors are interesting in this illustration as well and have to wonder what the inspiration was for this pinup.
Transformers 4 is a big, dumb, explodey, fun summer movie, as to be expected. But I really think you can substantially improve your movie-viewing experience by pretending Mark Wahlberg’s character is named “Hulk Biceps”.
[Winter Soldier] is about as “realistic” as you’re going to get in the superhero genre, in a way that I found far more satisfying than the stereotypically ~gritty reboot~ atmosphere of the Dark Knight trilogy.
Um…no. The appeal of DKR was that it was grounded, not just gritty. I’d really like to see these other “gritty reboots” that supposedly exist that aren’t trying to piggyback on DKR’s runaway success. This is kinda like how people say COD is derivative, while ignoring the fact that it seems familiar because there are a lot of other shooters trying to rip it off.
Whether you or not you’re a fan of Nolan’s Batman movies, I think it’s fair to say that they were masterminded by someone who doesn’t have much affection for the comicbook superhero genre, which is quite funny considering the overt silliness of The Dark Knight Rises.
What “comicbook superhero genre” would that be? Golden Age Batman? Silver Age? Bronze Age? Modern Age? Miller? Knightfall? Which of the many, many variations on Batman are you referring to here? Denny O’Neill said it himself; one of the best things about Bats is that he’s malleable. He changes with the times, with the needs of the story. I’ve grown up with four different animated versions of Batman, and I’ve liked every single one. Or, heck, let me quote Bat-Mite from BATB;
"Batman’s rich history allows him to be interpreted in a multitude of ways. To be sure, this is a lighter incarnation, but it’s certainly no less valid and true to the character’s roots than the tortured avenger crying out for mommy and daddy."
You’re actually revealing your own prejudice here, HT. Sure, TDKR was more overtly…theatrical than the first two, and I felt the script needed a good polishing, but there’s something wrong with specifically pointing out the parts where they get too “comic book” while you’re talking about how they weren’t “comic book” enough.
Also, were you holding that in for almost two years? Because you seemed kinda eager to get it out.
EDIT: And then the review goes on to grouse about Man of Steel using the same warmed-over stupid complaints fanboys have been making since the movie came out* shut up shut up just shut up
* And in case you were wondering, he was on about equal footing with Zod. Even if he had somehow managed to force him out to a field, Zod would just fly to the nearest settlement and keep killing people. Which is why Clark’s priority was subduing him. Also, he didn’t have a no-kill code, there’s no indication of it, and most archetypal red-blooded American men are supposed to be willing to kill in defense of others. He sure didn’t enjoy it. Heck, even Batman uses lethal force at the end of TDKR, when he doesn’t have another choice.